Tag Archives: third space

One line apart – Concluding post


One Line Apart has been a really fun and meaningful project for me over this semester. I am fascinated by the presence of emotions over the third space, especially seeing the artworks “Holes in Space” and “Life 2.0” over the semester. I have been pondering about this question of how the emotions and intimacy is born out on the third space itself, or whether or not it can be faked or duplicated despite technological separation.

Concept review

I have never really imagined projecting a third space as a second space dimension, but yet a point of contact creates a new form of meaning and intimacy. A kiss, a hug, or even just by holding the same object across different space all provides a meaning and intimacy to the image. I believe this is a meaningful portrayal, especially for people who have long distance family ties friendship or relationship who have very few chances to interact with one another so closely. I use the third space as a form of expression of the people, they can now project themselves with a form of intimacy over the image, using their own actions and creativity.


...Like reading a book together
…Like reading a book together
...Or hushing me
…Or hushing me

The second part of the project also explores the blurring of identities.



We have done the identity multiples micro project over the semester, where we put up photos of our body parts onto the flickr feed. However there is a lack of interaction and communication during the submission at that time, which I thought if present, will yield different and interesting results.

(Ahdong 1.mov)[](Ahdong 1.mov)[]

By using Adobe Connect and having participants streaming on webcam, we can negotiate and create compositions freely – we are able to think and develop the identities as we interact.

Role of the viewers and participants

There were spontaneous moments where I or the participants tried to create an illusion that is comedic and funny, like making funny faces when compositing or making funny movements with our limbs.

Funny NSFW-1

One interesting thing about this project are the spontaneous moments: even if you tried to make someone look silly on the webcam, they will simply laugh it off instead of getting offended. It became a way to actually get close to one another. This form of audience involvement defined and shaped the project outcome and I found this spontaneous possibility a very thrilling and fun aspect during the execution of the project – you never know what will happen!

Technical realization review:

Even though this project is almost similar to a photography project, I am glad that I have chosen a online tumblr site as a medium. I created a gallery that displays GIFs: This captures not only the creativity between the audience and me, but also the relationship and dynamics we developed during the project. It has also been reassuring to me that my participants enjoyed working with me on this project, even though it may have been just a brief 2 minutes.



Diana’s Virtually Awkward project execution also provides a new possibility for my project as a performance art. It is interesting to observe reactions of viewers not only on the third space, but from the first space as well when the image is projected on the wall.

Personal thoughts

It was interesting to bend the third space to create a form of intimacy. However I feel that in the process of doing so, we also become intimate, it felt as if the connection is not simply only over the third space. I am amazed during the development for the concept,

The usage of third space also allows me to do certain actions that I will not be likely to do in real life (as I am not a person who likes excessive body contact), and yet I can now do it with my friends without feeling awkward or making them feel intruded. Similarly, the participants and viewers felt free to do actions that they normally do not do, particularly when their face is omitted from the composition.



It exudes a part of the personality that I felt that my project has captured and I am really intrigued and pleased with the results.


This possibility of intimacy over the third space is something I wish to explore in the future. Perhaps reinventing or looking for other methods of recreating the project, or selecting participants who truly experience long distance relationship so it provides additional meanings to the work.

I would also like to thank Randall Packer for the encouragement during the development for this work, (I was really stuck during the week where technical realization post is due) as well as my classmates who have helped me out for the project (especially Chin Fang and Diana who have composited with me several times). It was truly a fun experience for me, and i hope it has been fun and enjoyable for my participants too.

One line apart – Project update #4

Images grabbed from last week’s session.

We explored the possibilities of compositing different body parts aesthetically and interact accordingly.


grp 4
A little photoshop and alignment can create a closer and more organic image


grp 3
Compositing of our faces


Sharing a single smile



grp 1
Everyone will be involved in shaping the interaction. I aim to break off the wall over the third space and reconstruct one that brings people closer together, even if it may be a form of illusion

Project execution

Other than organizing one or two more web sessions, I will make a cameo appearance in Diana’s performance art piece on Friday (Thanks Diana! Looking forward to the collaboration! And it isn’t often that performance artists get to intercut their performances I suppose)

I will probably select certain pieces from the intimacy series to perform with Diana (if she’s ok with it, of course) Out of which I developed a french kissing idea.

Yeah, we’re probably trying to french kiss one another over the third space. Talk about awkwardness

I feel a strong need to execute this piece because on one hand, it may be uncomfortable for me or Diana (but yet at the same time, we’re not kissing. We’re just going to stick our tongues out to air) But on another hand, I wonder if it’ll be a visually striking or disturbing piece to the audience. I’d look forward to the audience’s response on that day if this piece is ever done.


Lady and the tramp
Just another intimacy series where we will look as if we’re eating the same food, or in general, sharing a single moment


Other concepts that may be performed on Friday:


Creation of adam
May stage with Diana, if it is possible

Parodies of popular culture, such as movie posters:



Back to back
Back to back cliched pose

Work is under way! I hope for the best!


Intercepting portraits – Influences

There are several readings that I have referred to as influences for my project.

1. Hole in space, Sherrie Rabinowtiz and Kit Galloway

Hole in Space

“They could now see, hear, and speak with each other as if encountering each other on the same sidewalk. No signs, sponsor logos, or credits were posted—no explanation at all was offered. No self-view video monitors to distract from the phenomena of this life–size encounter.”

One thing that struck me for this performance is the fact that it has very little direction from the artist or creators of the installation. I think by not limiting or instructing the audience, viewers can be more open to experimentation or exploration, leading to their own interpretation of the work. I hope my end result is also an installation or experience where the viewers decide how they want it to be, rather than be told how to participate in the video.

Also, the scale of life sized images also added to the impact of the installation. It is also something that can be considered as a possibility for my work, even though it is not likely with the limitation of equipment in school.

2. Telematic dreaming, Paul Sernon

“When you “touch” another individual in the third space, why do you feel a connection as though you were physically present? Why is there a sense of intimacy in the third space, even though you are remote from the other person(s). Telematic Dreaming asks these questions while looking forward to how we are increasingly engaging with one another and forming relationships in the third space. ” – From hyperlecture

This work makes me think about possibilities for more intimacy between people who are connected in the third space. I feel that people do crave connections, but actions of intimacy such as a hug is not common in real life, especially for Singapore which is an asian country. Therefore if it is possible, I also wish to explore the notion of feeling the sense of intimacy or formation of relationship in the third space.

3. Shared Still life, Annie Abrahams

“This work explores the idea of the “telematic embrace,” a concept discussed by theorist Roy Ascott in terms of qualities of engagement in networked space. Here, cyberperformance artist Annie Abrahams explores the integration of two physical spaces as sets for a “still life,” in this case: a third space still life since the integration of these elements is only possible in this hybrid electronic space. As the performers combine their telematically connected bodies in the third space, they attempt to reach through the digital divide, to explore a kind of extended human presence across the network.”

I am intrigued by the digital divide that separates the two world, yet happenings in both screens combines together to become a single narrative. The divide made a distinct separation and make the viewers notice the difference between the 2 spaces even though they are on one single screen. If each divided screen represents a narrative, then combining 2 divided screen  would mean a new narrative. I also like the idea that there is an extended human presence across the network.

Also, there are important factors and points that are listed along with the project on the hyperlecture that I must to take into consideration with my project  as it involves web cam and a third space. They are as followed:

  • They are connected, using a webcam, to a shared interface where they can see images and hear the sounds from all the other performers and themselves.
  • This interface has the form of a grid.
  • They share image boundaries and can interact spatially with the other performers.
  • The sound the performer hears is a mix of all the sounds from the other performers.
  • Because of network delays the way the interface has been constructed, no two performers receive the same images and sound at the same time.
  • To avoid delay – difficulties while speaking, performers cannot hear their own voices, and cannot judge their participation in the total sound environment.
  • The performers must wear a headset to avoid feedback.

Consideration of these factors will allow me to better plan the project and execute it, since I am not aware of its limitation and possibilities. The possibility to see sounds and images from all other performers, even though delayed, may provide an interesting experience or even allow a new meaning to be born. Also, I have to take note that performers are not able to judge their participation in the total sound environment and thus I should work even more to reduce the inclusion of sound as a control for my project.

4. Trapped to reveal, Essay, Annie Abrahams

Her essay provided a substantial amount of research of what other artists have experimented with the web cam.

 “Did nobody understand that collaboration using machines wasn’t easier, maybe not more difficult either, but simply different from ordinary face to face communication?” – Annie Abrahams 

Taken from the writeup was also a quote from Brad Troemel’s in his work Why You Should Make Yourself Someone Else Online: “It argues along the same lines, “The process of image management on Facebook is already less an outpouring of expression than it is an exercise in omission of information about one’s self”.

Therefore by this statement, it is an interesting concept to explore. Images are uploaded and edited on facebook has become something that is not reflecting our life, but in fact something that tries to omit details from our life. We always present the best from ourselves (or for some, they’re always sad), but there are things that they do not notice themselves. For this project, if I were to let viewers decide which part of their face or body do they want to present, what would they choose to show or omit?

5. Huis Clos / No Exit – Tout va Bien, Annie Abrahams

“In one way or another, all digital artworks and environments are concerned with possible relationships between the physical space and the virtual, and what distinguishes them are the balance between these two realms and the methods deployed to translate one space into the other. Some artworks try to translate qualities of the virtual world into the physical environment, others strive to map the physical into the virtual; and yet others are aimed at fusing the two spaces.” – Christiane Paul

Likewise, I think this work becomes interesting as a result of compositing different spaces into one. There is not only one vision that propels the narratives. What if the conflicts of different spaces become the focus of the whole space itself?

Other influences:

These are other artworks whose aesthetics and concept inspires me in the project.

6. “Me and my friends”, “Time”, John Clang,

Me and my friends, John Clang
“Me and my friend”, a composite of several people to shape a new identity

I think this work is interesting, because the composite creates a new identity, yet it diminishes each of the individual’s true appearance. To some extent, it omits their details, while we are only left to admire the result that is created by compositing them in a single space.

Time, John Clang
“Time”, a composite of the same street taken at different timings

Similarly, the use of third space also allows the bending of time to bring about connections between one another. As webcam is prone to lag and delay, it is also a possibility that different results can be achieved because of that same fault.


 7. “AIDS DIALOGUE”, Drew Ludwig

"Aids dialogue", portraits of models who support the Telluride AIDS Benefit group are cut out and sticked onto the artist's face
“Aids dialogue”, portraits of models who support the Telluride AIDS Benefit group are cut out and sticked onto the artist’s face

“Aids dialogue” presents a face that is presented by compositing numerous faces over the body. The end result is a psychedelic look-alike aesthetics that allows viewers to examine it in closer details.

8. Nicolas Desmet, L’Oeil de Links: Digital Compositing




These are digital compositing works for a TV show that I thought was intriguing with the concept of bringing the digital space along with you into real life. Are they the same identities, or are they separated identities that will have consequences once we merged them together?

As the project is still in its preliminary stage of planning, there are lots of information and influences that I am still looking into. I also understand that there is still a need to single out a single theme I wish to explore. Similarly, I also have to look at the software that is available as well as my IT capability so I can draft up a final project that is most suitably possible to execute.


Telematic dreaming

Telematic dreaming  presents an unique experience where audience can interact with the artist despite his physical absence. By implementing a live video conference with a projection onto a bed,  a third space is produced in the installation that connects people in 2 different locations together. In this case, 2 people lying on different beds are connected by the projection.  Judging from the fact that a third space connects people from different places together, a phone call and the video conferencing Skype is also a third space. But if this is the case, then how different is the third space in this installation?

Telematic Dreaming, Paul Sernon, 1992. Artist monitoring the audience’s response and reacting accordingly.

In the installation, the artist monitors the audience’s movement on the bed and interacts according to the audience’s responses. This is different from a video call or phone call where movements are less relevant to one another: The projection provides meaning by providing interactivity and superimposing, or simulating physical contact despite the absence of a physical body. I think this makes the audience become more aware of their actions  and examine what their actions can create while they are connected in the third space. It becomes thrilling for them to realize that they can affect people even though they are not together, as if they are really present on the same bed together. I think Voyeurism for both the artist and audience may also be a spur to making this installation highly interactive: It may have made people pay attention to details and subtle movements they otherwise will not notice when they are in the same space.

Telematic Dreaming, Paul Sernon, 1992.

What I find most interesting is the fact that the interaction involved in the installation allows the audience to experience and become a part of the third space. They themselves become the performers along with the artist and as such, the work can only be complete when there is another person lying on the bed along with the artist. Without any audience’s involvement, the work loses a portion of its meaning. Also, audience do not feel the other person through their sense of touch even though they are interacting with the artist. However, can they or do they actually feel emotions and excitement despite the physical absence? This is rather intriguing to me.

Therefore, I think that the third space in this installation not only try to connect people physically, but it also replicates the emotions and excitement that is still possible without the physical presence of one party. The audience cannot feel anything when there is suggestion of touch, yet it is the act and interaction that gave rise to emotions.

After seeing examining Telematic dreaming, I remember John Clang’s series “Being Together” that I’ve seen in National Museum last year. He reunited families who stay in different countries by connecting the two families together through a projection in Skype.

John Clang, “Being Together” 2013

I am intrigued by this work, and examination of Telematic dreaming have made me understand a little why I had like the work so much. By projecting people from 2 different places into one space, a third space created gains a touching sentiment as 2 families interact and try to take a family portrait. It also offers imagination and emotions for the people involved in both spaces.