1. Randall Packer

    Identity Multiples

    by
    In the third space realm of fictional possibilities, we are role-playing ad infinitum. It is a marvelous game: playable anywhere with a connection, involving anyone in any place or sphere of the globe. The system is pervasive, the rules are nonexistent, the paradigms are there to be broken. If Artaud claimed nearly a century ago in the Theater and its Double, that the theater is a space for the alchemical transformation of everyday life, and that role-playing is a vehicle for inducing the magic of identity permutation, then in fact, our systems of social media constitute a vehicle for entry into the theatrical domain of magic and ritual. When no one quite knows who anyone else is in the mysterious realm of the third space, the possibilities are limitless. Behind the illusory facade of one’s avatar, lie endless branching narratives through the infinite strands of the database. Yes: you can be an artist posing as a military officer posing as an art mogul in the third space. Never mind if it makes any sense, that is the power of theater and the alchemical properties of the imagination. And from the iconic wonder of a multi-layered avatar comes serious play, where politically-charged critique can take down the entire establishment in one fell swoop. That is the power of the theater and in the age of global media (please excuse the clich√©), all the world’s a stage. The difference between Shakespeare’s time and the current state of things is that an extraordinary […]
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